My friend Fiona had a birthday recently and as she's the one who's been helping me with Hallmark, I decided that she should be one of my character portraits so I can give it to her as a present. It was much harder to draw her as the past few times I've done these I've been with the person I've been drawing and have been able to get first hand reference. When I can't do that I turn to photo's on Facebook but Fiona only has 3 or 4 so I had to really try and capture the things that I remember about her and her face shape and smile lines. Hopefully she'll like it and it'll be an accurate illustration of her.
Saturday, 31 October 2015
Athas
Tuesday, 27 October 2015
Adventure
Saturday, 24 October 2015
Stuffed
Song of the Sea
Last night I watched this beautiful film, it covered a lot of themes that I was interested in for my children's book and has helped me think more about where I want my book to go and has been very inspirational both visually and for storytelling.
Dens
http://www.theguardian.com/childrens-books-site/2015/may/11/secret-hideouts-the-best-dens-in-childrens-books
Another article I found while looking at cop sources, I think I'd like to bring in dens to my children's book as they were so important to me as a child and I think they should be shown more often. I was thinking that she could build herself a den on the turtle island and stay there for "months" while they journey and then make it home in time for tea.
Another article I found while looking at cop sources, I think I'd like to bring in dens to my children's book as they were so important to me as a child and I think they should be shown more often. I was thinking that she could build herself a den on the turtle island and stay there for "months" while they journey and then make it home in time for tea.
Girls in trousers
http://www.theguardian.com/childrens-books-site/2015/jun/15/childrens-books-girls-in-trousers
I found this article while looking for some cop material, I just thought it tied in with what I was doing anyway. Though it seems that dungerees get worn more often than flat out trousers but I think they still count as not being overly girly.
I found this article while looking for some cop material, I just thought it tied in with what I was doing anyway. Though it seems that dungerees get worn more often than flat out trousers but I think they still count as not being overly girly.
Colour tests
Character doodles
While writing notes for several other briefs/modules I've been background thinking and doodling about my children's book. She's pretty autumn based and dresses a lot like me but with a big comfy scarf that covers half of her face. I've also been thinking about having a moving island that is a great sea turtle. I'm not sure if he's a small part or a large part yet but I'm trying to be background thinking abut it until I can fully concentrate on it later. The bottom page also features some notes on what I should do/consider in 603.
Lee
While sat in Atha's doing some reading for cop I started doing some sketches of one of the barista's as I'd really like to do one of her. I had been thinking that it would be really nice to have some of these characters to be from Atha's so that my mini exhibition could be Atha's in Atha's. However I felt guilty drawing this as I didn't have permission and I'm not as close to her as I am the other people I'm drawing. I think I'm going to go ask the people if I can do a drawing of them for it and if they'd be comfortable being up in their place of work. Or I could just do friends and family and not feel like such a creepy obsessive, this would also mean that non-Atha's people could be up in the exhibition.
Monday, 19 October 2015
children's book
Follow Rosie's board Big kahuna on Pinterest.
I'm vaguely thinking that I would like my children,s book to be set in cornwall or somewhere similar. I've also been thinking about it maybe having a disappearing island plot line but I'm not quite sure yet.
Star
Fantasy background reference
Follow Rosie's board Fantasy background reference on Pinterest.
So far I've been looking at this type of fantasy reference that has a ethereal theme but so far there is no line work which is part of my work so I'll have to think of how to combine them.
Becky
This is my illustration of Becky, I posted the line work this already. I think I've actually managed to draw her pretty recognisably and I'm very proud of the hair fade (informed by ink). The other thing that's new to this is that I started using a wacom from when I was on the shading stage and the lines of her t shirt are drawn from that. However I think this could be improved as while accurate the arm looks a little odd, even after I widened it a little and the baggy part of the top on her drawing arm side mainly looks like she has lopsided boobs.
Wacom
Hollie did me a great favour by practically forcing me to try a wacom again, I've had a grudge against them for a long time as it's felt like I needed to learn how to draw again. I drew this free hand which and its kind of terrible but I'm not very good at drawing without sketching first anyway. I discovered every thing that I'd been doing with a mouse before (mainly colouring and shading) was pretty much the same if not easier ( shading is easier for sure) and from now on I'm going to use a wacom regularly.
Ink
Saturday, 17 October 2015
Statement of intent
This is what I have so far for my statement of intent, I'm not quite sure if this is right but if I'm still not sure after tomorrows work shop I'll ask to have a chat with Fred.
Monday, 5 October 2015
6 Briefs
Macmillan Prize:
This year I would really like to enter the Macmillan Prize. As its a competition for creating a children's book I think it would be the most useful to my practice and as its a students only competition this will be my last year to try. This is a competition that I have been excited to enter since I first heard about it 3 or 4 years ago and would like to put a lot of my focus on to hopefully produce a good book. I've put the brief below.
Illustration Friday:
For one of my live/competition briefs I'd like to do an Illustration Friday every week or every other week depending on how busy I am. Illustration Friday was one of my favourite parts of Responsive last year and this year I'd like to make it into a substantial brief that I can continue to be working on all year. As the year goes on I am most likely to get stressed about a great many things but IllFri was something I always enjoyed doing and has a quick turnover. so I'm hoping to keep a brief that'll keep the joy in creating while I get stressed. It also is good practice that I won't be able to sit on anything for more than a week.
D&AD/YCN:
I'd also like to do a D&AD or YCN as they have good briefs and good exposure. I'm hoping there will be another children's book one I can do but I can't see what there is yet. If there are no book illustration briefs I think I'll do the penguin brief but I'm not sure if that would be substantial enough. I'll need advice on this brief in particular.
Backgrounds:
I have spent too long ignoring the backgrounds in my work and focusing on individual characters, in level 6 I'd like to change this and do a brief dedicated to them. I'm proposing doing 3-5 illustrations for 3 certain types of background (city/town, forrest/nature, fantasy/sci-fi etc.). While this might sound a little vague I think this is one of the things that I really need to do to improve my work, particularly in preparation for creating another children's book as my last one had a clear difference in the skill, when it came to my characters compared to my backgrounds. I also think some scenes without characters would be good for my portfolio and would be applicable to a great range of practices.
Character/portraits:
This brief, like the last, is mostly for furthering my skills and creating lovely portfolio work. However it also is a direction that I stated moving towards in the summer when I created a few different pieces for friends and family and is something I am interested in investigating further. I find it incredibly interesting to take what you know about someone and to try and convey that while also re-imagining them into a character. I would like to create 10 - 20 illustration of people I know and interact with on a regular basis. If possible it would be best to have each illustration be tied to a story they've told me but I'd also be happy with getting their personality into the character. I've also been thinking about how the coffee shop I draw in a lot puts up artists work and if I could put my work up there then I would quite like to do a mini exhibition of this, preferably with the portraits being of those who work there but I'm not sure yet.
The sculptors daughter:
For my cop research I started reading and making sketches of the sculptors daughter (see cop blog) by Tove Jansson. It's a slightly altered story view of her childhood seen through the child's eyes and mindset. This book has the most beautiful imagery that I really wanted to illustrate and I think it could make a good brief and good practice to illustrate a more grown up book. I would like to create at least one illustration for each story within the book and a wrap around cover. I think it would be good for my portfolio to show that while children's book illustration is my focus I don't only illustrate picture books.
This year I would really like to enter the Macmillan Prize. As its a competition for creating a children's book I think it would be the most useful to my practice and as its a students only competition this will be my last year to try. This is a competition that I have been excited to enter since I first heard about it 3 or 4 years ago and would like to put a lot of my focus on to hopefully produce a good book. I've put the brief below.
Illustration Friday:
For one of my live/competition briefs I'd like to do an Illustration Friday every week or every other week depending on how busy I am. Illustration Friday was one of my favourite parts of Responsive last year and this year I'd like to make it into a substantial brief that I can continue to be working on all year. As the year goes on I am most likely to get stressed about a great many things but IllFri was something I always enjoyed doing and has a quick turnover. so I'm hoping to keep a brief that'll keep the joy in creating while I get stressed. It also is good practice that I won't be able to sit on anything for more than a week.
D&AD/YCN:
I'd also like to do a D&AD or YCN as they have good briefs and good exposure. I'm hoping there will be another children's book one I can do but I can't see what there is yet. If there are no book illustration briefs I think I'll do the penguin brief but I'm not sure if that would be substantial enough. I'll need advice on this brief in particular.
Backgrounds:
I have spent too long ignoring the backgrounds in my work and focusing on individual characters, in level 6 I'd like to change this and do a brief dedicated to them. I'm proposing doing 3-5 illustrations for 3 certain types of background (city/town, forrest/nature, fantasy/sci-fi etc.). While this might sound a little vague I think this is one of the things that I really need to do to improve my work, particularly in preparation for creating another children's book as my last one had a clear difference in the skill, when it came to my characters compared to my backgrounds. I also think some scenes without characters would be good for my portfolio and would be applicable to a great range of practices.
Character/portraits:
This brief, like the last, is mostly for furthering my skills and creating lovely portfolio work. However it also is a direction that I stated moving towards in the summer when I created a few different pieces for friends and family and is something I am interested in investigating further. I find it incredibly interesting to take what you know about someone and to try and convey that while also re-imagining them into a character. I would like to create 10 - 20 illustration of people I know and interact with on a regular basis. If possible it would be best to have each illustration be tied to a story they've told me but I'd also be happy with getting their personality into the character. I've also been thinking about how the coffee shop I draw in a lot puts up artists work and if I could put my work up there then I would quite like to do a mini exhibition of this, preferably with the portraits being of those who work there but I'm not sure yet.
The sculptors daughter:
For my cop research I started reading and making sketches of the sculptors daughter (see cop blog) by Tove Jansson. It's a slightly altered story view of her childhood seen through the child's eyes and mindset. This book has the most beautiful imagery that I really wanted to illustrate and I think it could make a good brief and good practice to illustrate a more grown up book. I would like to create at least one illustration for each story within the book and a wrap around cover. I think it would be good for my portfolio to show that while children's book illustration is my focus I don't only illustrate picture books.
Analog
I started following someone on Instagram who works in dip pen and inks, her work is so beautiful it really made me want to go back to analog. So I created this using a mix of dip pen, ink and Promarkers. I'm really happy with her, she's loosely based on the illustration word of the week which was nature but I never actually submitted her. One thing I would do differently though would be to do the plant lines after the ink as the green circle faded the plant line significantly. it seems obvious to do it that way but I wanted to be able to rub out all the pencil lines before I put any of the proper ink down.
Underwater comic
This is the only comic idea that got to the inking stage but I's my favourite. It's a personal comic about processing my own feelings and about how nice it'd would be to be able to take a little break. I think I've managed to get the calmness that I was looking for and it has the right amount of detail for what I want in my work.Some of the lines could be better but overall I'm pretty pleased with it and hope to have the time to finish it some time soon.
Sketch dump
To me this sketchbook work from the second half of my summer seem to show a vast leap from earlier. I'm not sure what changed exactly but there seems to be a bigger improvement in most things (drawing men, drawing people in general, comics, fantasy characters etc.). It's from this that I got the idea for a portrait brief as I realised how many people I've been drawing and how good it's been for my practice.
Land of the Scots
During the summer I went up to the Edinburgh Festival and to see my sister who lives in Glasgow. It was a great experience, it also made me more comfortable talking to strangers as everyone wanted to chat (mainly to get you to their shows). I was also better at talking to people my sisters introduced me to. I did some travel sketches and learnt that I'm terrible at drawing straight with a pen but it got the ideas down. I also did a drawing of my sister which I managed to get pretty close to how she looks and got some extra practice with glasses. Which is especially good as I'd been trying to draw glasses at the start of the year.
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