- If I'm drawing people from observation I should try and draw them realistically first and look at the posture with simple lines before I move on to my method of drawing - this will be hard for as What Fred called stylised drawing is just the way of drawing that makes sense to me as I find the more realistic way of drawing makes very little sense to me but it's something I should try to do more of.
- Applying my work to other forms - I've been thinking too much that my illustration Friday work is just about making the quick turn around and responding to a word, without trying to then use it for something else. Not every one of them will be applicable to other resolutions but my squirrel pattern is and I should mock up some cushions, notebooks and wrapping paper with it on (a friend over Facebook actually requested it as a wrapping paper).
- My characters should translate even when you don't know them - my character portraits are accurate and mainly follow how they stand but if you can't understand them if you don't know them, they're not successful.
- I need to be working on a brief that combines the separate skill building briefs at the same time as the skill building ones otherwise it might not translate - this will be hard as it messes up my time plan as I had spread the briefs out to try and keep myself from being stressed. However I talked to Fred about the sculptors daughter brief I had been thinking about dropping and he suggested having the backgrounds I work on separately come from the book and and to simplify my brief to have a colour cover and 5 internal black and white illustrations.
Saturday, 21 November 2015
Post crit, post Fred chat notes
This is about the issues raised in the crit and the talk I had with Fred about how I could try to solve them.
Friday, 20 November 2015
Animal
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Saturday, 14 November 2015
Whimsical
This weeks word was Whimsical and I had a bit of trouble thinking of something for it but I remembered something my friend was telling me about a story idea, so I drew that. I also tried doing little white lines on the tiger which I've never really done it before. I think it worked pretty well and I should try it again another time.
Saturday, 7 November 2015
Sarah
Again, while I was working on cop I took break to draw one of my character portraits. Like the last two I've drawn this in part from life and in part from photo reference. In all the photos I found of her on Instagram she would cover her face with her hands so I thought it'd be fitting to draw her in the same way and to reinforce who it is. I chose to do the background as purple which isn't a colour I use very often but I wanted one different from the others that'd still be complimentary and as she has blonde hair I was thinking a darker colour would work best. I think I've done pretty well with this considering how long it took to work out how to draw the face behind the hands and the hands in that posistion.
Bouquet
This week's word was bouquet and as I didn't want to draw a bunch of flowers I looked on pinterest for inspiration (like always) and I found a lovely photo of a girl with flowers in her hair. I got a bunch of reference for this idea and then drew my own. I stole the colours for her hair and skin tone from one of my other drawings and I tried a few different colours for the flowers.
Saturday, 31 October 2015
Fiona
My friend Fiona had a birthday recently and as she's the one who's been helping me with Hallmark, I decided that she should be one of my character portraits so I can give it to her as a present. It was much harder to draw her as the past few times I've done these I've been with the person I've been drawing and have been able to get first hand reference. When I can't do that I turn to photo's on Facebook but Fiona only has 3 or 4 so I had to really try and capture the things that I remember about her and her face shape and smile lines. Hopefully she'll like it and it'll be an accurate illustration of her.
Athas
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Tuesday, 27 October 2015
Adventure
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Saturday, 24 October 2015
Stuffed
Song of the Sea
Last night I watched this beautiful film, it covered a lot of themes that I was interested in for my children's book and has helped me think more about where I want my book to go and has been very inspirational both visually and for storytelling.
Dens
http://www.theguardian.com/childrens-books-site/2015/may/11/secret-hideouts-the-best-dens-in-childrens-books
Another article I found while looking at cop sources, I think I'd like to bring in dens to my children's book as they were so important to me as a child and I think they should be shown more often. I was thinking that she could build herself a den on the turtle island and stay there for "months" while they journey and then make it home in time for tea.
Another article I found while looking at cop sources, I think I'd like to bring in dens to my children's book as they were so important to me as a child and I think they should be shown more often. I was thinking that she could build herself a den on the turtle island and stay there for "months" while they journey and then make it home in time for tea.
Girls in trousers
http://www.theguardian.com/childrens-books-site/2015/jun/15/childrens-books-girls-in-trousers
I found this article while looking for some cop material, I just thought it tied in with what I was doing anyway. Though it seems that dungerees get worn more often than flat out trousers but I think they still count as not being overly girly.
I found this article while looking for some cop material, I just thought it tied in with what I was doing anyway. Though it seems that dungerees get worn more often than flat out trousers but I think they still count as not being overly girly.
Colour tests
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Character doodles
While writing notes for several other briefs/modules I've been background thinking and doodling about my children's book. She's pretty autumn based and dresses a lot like me but with a big comfy scarf that covers half of her face. I've also been thinking about having a moving island that is a great sea turtle. I'm not sure if he's a small part or a large part yet but I'm trying to be background thinking abut it until I can fully concentrate on it later. The bottom page also features some notes on what I should do/consider in 603.
Lee
While sat in Atha's doing some reading for cop I started doing some sketches of one of the barista's as I'd really like to do one of her. I had been thinking that it would be really nice to have some of these characters to be from Atha's so that my mini exhibition could be Atha's in Atha's. However I felt guilty drawing this as I didn't have permission and I'm not as close to her as I am the other people I'm drawing. I think I'm going to go ask the people if I can do a drawing of them for it and if they'd be comfortable being up in their place of work. Or I could just do friends and family and not feel like such a creepy obsessive, this would also mean that non-Atha's people could be up in the exhibition.
Monday, 19 October 2015
children's book
Follow Rosie's board Big kahuna on Pinterest.
I'm vaguely thinking that I would like my children,s book to be set in cornwall or somewhere similar. I've also been thinking about it maybe having a disappearing island plot line but I'm not quite sure yet.
Star
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Fantasy background reference
Follow Rosie's board Fantasy background reference on Pinterest.
So far I've been looking at this type of fantasy reference that has a ethereal theme but so far there is no line work which is part of my work so I'll have to think of how to combine them.
Becky
This is my illustration of Becky, I posted the line work this already. I think I've actually managed to draw her pretty recognisably and I'm very proud of the hair fade (informed by ink). The other thing that's new to this is that I started using a wacom from when I was on the shading stage and the lines of her t shirt are drawn from that. However I think this could be improved as while accurate the arm looks a little odd, even after I widened it a little and the baggy part of the top on her drawing arm side mainly looks like she has lopsided boobs.
Wacom
Hollie did me a great favour by practically forcing me to try a wacom again, I've had a grudge against them for a long time as it's felt like I needed to learn how to draw again. I drew this free hand which and its kind of terrible but I'm not very good at drawing without sketching first anyway. I discovered every thing that I'd been doing with a mouse before (mainly colouring and shading) was pretty much the same if not easier ( shading is easier for sure) and from now on I'm going to use a wacom regularly.
Ink
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Saturday, 17 October 2015
Statement of intent
This is what I have so far for my statement of intent, I'm not quite sure if this is right but if I'm still not sure after tomorrows work shop I'll ask to have a chat with Fred.
Monday, 5 October 2015
6 Briefs
Macmillan Prize:
This year I would really like to enter the Macmillan Prize. As its a competition for creating a children's book I think it would be the most useful to my practice and as its a students only competition this will be my last year to try. This is a competition that I have been excited to enter since I first heard about it 3 or 4 years ago and would like to put a lot of my focus on to hopefully produce a good book. I've put the brief below.
Illustration Friday:
For one of my live/competition briefs I'd like to do an Illustration Friday every week or every other week depending on how busy I am. Illustration Friday was one of my favourite parts of Responsive last year and this year I'd like to make it into a substantial brief that I can continue to be working on all year. As the year goes on I am most likely to get stressed about a great many things but IllFri was something I always enjoyed doing and has a quick turnover. so I'm hoping to keep a brief that'll keep the joy in creating while I get stressed. It also is good practice that I won't be able to sit on anything for more than a week.
D&AD/YCN:
I'd also like to do a D&AD or YCN as they have good briefs and good exposure. I'm hoping there will be another children's book one I can do but I can't see what there is yet. If there are no book illustration briefs I think I'll do the penguin brief but I'm not sure if that would be substantial enough. I'll need advice on this brief in particular.
Backgrounds:
I have spent too long ignoring the backgrounds in my work and focusing on individual characters, in level 6 I'd like to change this and do a brief dedicated to them. I'm proposing doing 3-5 illustrations for 3 certain types of background (city/town, forrest/nature, fantasy/sci-fi etc.). While this might sound a little vague I think this is one of the things that I really need to do to improve my work, particularly in preparation for creating another children's book as my last one had a clear difference in the skill, when it came to my characters compared to my backgrounds. I also think some scenes without characters would be good for my portfolio and would be applicable to a great range of practices.
Character/portraits:
This brief, like the last, is mostly for furthering my skills and creating lovely portfolio work. However it also is a direction that I stated moving towards in the summer when I created a few different pieces for friends and family and is something I am interested in investigating further. I find it incredibly interesting to take what you know about someone and to try and convey that while also re-imagining them into a character. I would like to create 10 - 20 illustration of people I know and interact with on a regular basis. If possible it would be best to have each illustration be tied to a story they've told me but I'd also be happy with getting their personality into the character. I've also been thinking about how the coffee shop I draw in a lot puts up artists work and if I could put my work up there then I would quite like to do a mini exhibition of this, preferably with the portraits being of those who work there but I'm not sure yet.
The sculptors daughter:
For my cop research I started reading and making sketches of the sculptors daughter (see cop blog) by Tove Jansson. It's a slightly altered story view of her childhood seen through the child's eyes and mindset. This book has the most beautiful imagery that I really wanted to illustrate and I think it could make a good brief and good practice to illustrate a more grown up book. I would like to create at least one illustration for each story within the book and a wrap around cover. I think it would be good for my portfolio to show that while children's book illustration is my focus I don't only illustrate picture books.
This year I would really like to enter the Macmillan Prize. As its a competition for creating a children's book I think it would be the most useful to my practice and as its a students only competition this will be my last year to try. This is a competition that I have been excited to enter since I first heard about it 3 or 4 years ago and would like to put a lot of my focus on to hopefully produce a good book. I've put the brief below.
Illustration Friday:
For one of my live/competition briefs I'd like to do an Illustration Friday every week or every other week depending on how busy I am. Illustration Friday was one of my favourite parts of Responsive last year and this year I'd like to make it into a substantial brief that I can continue to be working on all year. As the year goes on I am most likely to get stressed about a great many things but IllFri was something I always enjoyed doing and has a quick turnover. so I'm hoping to keep a brief that'll keep the joy in creating while I get stressed. It also is good practice that I won't be able to sit on anything for more than a week.
D&AD/YCN:
I'd also like to do a D&AD or YCN as they have good briefs and good exposure. I'm hoping there will be another children's book one I can do but I can't see what there is yet. If there are no book illustration briefs I think I'll do the penguin brief but I'm not sure if that would be substantial enough. I'll need advice on this brief in particular.
Backgrounds:
I have spent too long ignoring the backgrounds in my work and focusing on individual characters, in level 6 I'd like to change this and do a brief dedicated to them. I'm proposing doing 3-5 illustrations for 3 certain types of background (city/town, forrest/nature, fantasy/sci-fi etc.). While this might sound a little vague I think this is one of the things that I really need to do to improve my work, particularly in preparation for creating another children's book as my last one had a clear difference in the skill, when it came to my characters compared to my backgrounds. I also think some scenes without characters would be good for my portfolio and would be applicable to a great range of practices.
Character/portraits:
This brief, like the last, is mostly for furthering my skills and creating lovely portfolio work. However it also is a direction that I stated moving towards in the summer when I created a few different pieces for friends and family and is something I am interested in investigating further. I find it incredibly interesting to take what you know about someone and to try and convey that while also re-imagining them into a character. I would like to create 10 - 20 illustration of people I know and interact with on a regular basis. If possible it would be best to have each illustration be tied to a story they've told me but I'd also be happy with getting their personality into the character. I've also been thinking about how the coffee shop I draw in a lot puts up artists work and if I could put my work up there then I would quite like to do a mini exhibition of this, preferably with the portraits being of those who work there but I'm not sure yet.
The sculptors daughter:
For my cop research I started reading and making sketches of the sculptors daughter (see cop blog) by Tove Jansson. It's a slightly altered story view of her childhood seen through the child's eyes and mindset. This book has the most beautiful imagery that I really wanted to illustrate and I think it could make a good brief and good practice to illustrate a more grown up book. I would like to create at least one illustration for each story within the book and a wrap around cover. I think it would be good for my portfolio to show that while children's book illustration is my focus I don't only illustrate picture books.
Analog
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Underwater comic
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Sketch dump
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Land of the Scots
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Wednesday, 30 September 2015
Fish plan
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Tuesday, 29 September 2015
Finished drawings
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sketch dump
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Thursday, 14 May 2015
Storyboard new drawings
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Wednesday, 13 May 2015
Full book including storyboard
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Presentation boards base
This is the base I made for my presentation boards, the pattern is made from the colour variations of tiff. I think it's a little garish for me but I do quite like it for the book and if I had more time I could have mocked up some notebooks with this pattern.
Tuesday, 12 May 2015
Mockups
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Stickers
I've designed some stickers to go with my book or rather I collected my favourites from my coloured pages to make a sticker sheet. I'm very excited about these as I've never made stickers before.
Mockups
These are the first mock ups I've ever done and I'm very pleased with them. I found a website that provides free templates so I only had to put my work on them which was a lot more manageable than fully creating the mock up. for these I took a screenshot of my book issuu so it'd have the same digital bend of the pages that an e-book would.
Wrap around cover
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Map
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Tiff gif
My notes on it.
What happened when we tried to liquify it.
After going over and seeing paul's animation he tried to show me how to make one too. It didn't really work very well but I do like what came out of it and it made me happier to try gifs again in the future.
Cliff
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Moonlight
Here is the moonlight page with Tiff in as well. I think he adds a lot and he fills a space that was a little blank before. unfortunately as he was added later I had to twist him a bit for him to look at her and I think it looks a little unnatural.
Tiff
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Sandwich
This is by far my favourite, it has very satisfyingly worked exactly how I wanted it to. I'm sure the perspective is wrong in places or entirely but it doesn't really detract from the drawing. I think that this has worked so well because of the shading, particularly the overlapping shadows.
Coat
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Moonlight progression
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Texture
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Boards for a session
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Kitchen
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Linework
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Storyboard
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Book layout research
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Initial colouring
This is the initial colouring and so far I think its working really well and I'm excited to do the others, however I've not tried the background yet and that is where it'll get difficult.
Thursday, 30 April 2015
Evaluation
In The work I have produced I feel that this project has gone well. I have made work to a higher standard then I ever have before. I have also successfully collaborated with another illustrator. In the past when we were teamed up I hated it and wanted to never work someone else again. However from working with someone with a similar thought process to mine I found the experience enjoyable, though still in need of work. As Rowena and I do have such a similar thought process we were often late at the same time or had forgotten to do the same things, which meant that we often failed at the same aspects of our project rather than having someone else to pick up the slack. Though saying that when we would realise that we'd both forgotten we were very good at working together to fix the problem. I feel that my creative process has improved immensely from this project as the short time frames I had to work to allowed me to just focus on it and get it done. from this I think my work is a lot better. without a brief dragging on I still have the motivation for it, rather than having to try to be excited about something that has dragged on for months. I do feel however as I had so much other work to be doing that had more pressing deadlines I wold completely forget to do the work for this module. This meant that 90% or so of this module has been completed in two to three weeks. I feel that if it had been shorter and more pressing I could have just got it done rather than thinking about how I've got ages to complete it. This idea of a vast amount of time provides a comfort blanket of not having to work on yet, especially when you've got so much other work to be focusing on. I was also very ill and unable to do my work when I needed to most and while I definitely think that if I had done my work correctly and to the right scale it wouldn't have been as devastating, I also think that I at least need more studio time to just be getting on with work. I find that if I spend the entire day in sessions and workshops I'm too tired to start getting on with my work at four and just want to go home. After saying a that though I really do feel that this project has been worth while and has improved my work to a degree that I am proud of these and feel that I now have some work I could put into a portfolio. As previous work has been more about the process rather than the end product I have been dramatically lacking in any work I would like to present to people.
I need to learn from this experience and focus more on my time management, I have known that it is my major issue for a long time but I will have to put more of a conscious effort into keeping track of everything I have to be doing and to make sure I've not unnecessarily given myself too much work in too short a time frame.
I need to learn from this experience and focus more on my time management, I have known that it is my major issue for a long time but I will have to put more of a conscious effort into keeping track of everything I have to be doing and to make sure I've not unnecessarily given myself too much work in too short a time frame.
Wednesday, 29 April 2015
Offlife
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Monday, 27 April 2015
Hii 2
I originally drew this as a possible comic about being sick but I'm not great at comics and it sort of fell apart but as I liked the drawing I thought I'd finish it off for a Hii Illustration submission. This became one of my favourite illustrations (that I've done) as I feel that everything works. The drawing doesn't have any obvious mistakes, the colouring has both pale, weak colours for being ill while also being lovely and spring like, and it has the stronger pink and brown colouring to stand out. There's also a pattern on the duvet that I made digitally (a first). However as much as I love this illustration I was unable to actually submit it as the error from last time persisted and didn't go through this time.
Hiii Illustration
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Useless pet
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Useless
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Aviation
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While I have been forgetting to save them to a board on Pinterest, I have been using it to work on nearly everything and have found it an invaluable tool. It allows you to quickly see beautiful visually rich imagery which can lead to all sorts of inspiration.
Window
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Strong
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Path
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Illustration friday
These are sketches I drew for Illustration friday (passion and jagged) unfortunately however I never finished these before the submission went past meaning they were useless to me but I'm not really that annoyed that I didn't keep track properly as I don't feel that any of these were really strong enough to make into illustrations.
Presentation boards
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Boards
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Final print
This is the final print and I'm really happy with it I think both of our inputs work really well though like with the last one i worry they are a bit too separate and would have liked to have made them more whole.
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